不是因为对片子一开场的华丽宗教背景的好奇,"And the angel blew the sixth trumpet.." ... 一般很少会把明知是有一点恐怖嫌疑的片子看完。OK,看完以后,还是觉得,片头那段胃口吊的最好。
转网上的内容介绍: A young American diplomat in Rome is told his baby boy has not survived, but he can have a replacement, whose mother died at the same moment. The priest who arranges the swap says "There is no family". Meanwhile, the pope is given a Powerpoint presentation showing elements of the book of Revelation are coming to pass - a star-like comet, torture in Abu Graib, the South East Asian Tsunami. "And the angel blew the sixth trumpet.." Opera singers screech, lightning flashes. Desperate for a child, Robert Thorn keep's the boy's identity secret from his wife.
A remarkable but grizzly accident quickly dispatches his boss, and he's the US Ambassador to London...living in a gothic mansion, with a son who might be the Anti-Christ.
Very few changes have been made to David Setzler's script thirty years on from the original. Liev Schreiber (the Manchurian Candidate) and Julia Stiles (the daughter in Traffic) are very young to play a couple on their last chance to have a child. It suggests they're pitching at an audience that never saw the first one, or the dire sequels that diluted its impact.
Gus Van Sant remade Psycho shot for shot almost ten years ago, and it bombed. Director John Moore has already done a remake, Flight of the Phoenix, but this one's even more faithful to its source material. Low rumbles warn of danger, fast-cut dream sequences chill the audience, and Damien has the right mix of cuteness and menace. Nasty shocks are interspersed with a detective story as the Ambassador and a papparazzo (David Thewlis) who's taken some uncanny photos try to track down the boy's real mother.
Two things make it worth watching. First is the inspired casting of Mia Farrow as Mrs Baylock, who takes over after the first nanny hangs herself at Damien's fifth birthday party. The star of Rosemary's Baby (still the scariest movie I've seen) relishes the role, her face a mask of murderous devotion.
The second is that even though you know what's coming, it's still freaky. Farrow feeds Damien a plate of strawberries, he then rides a scooter around the creaking wooden corridors, while his mother waters the hanging pot plants, teetering on a stool, three stories up. All very unlikely but beautifully shot and edited, and unlike the Exorcist, nothing happens that's obviously supernatural. That's what I liked about the original too, but this one does a good job of drawing you in.
1.Jerry Goldsmith的交响乐极具末世气息,获奥斯卡最佳配乐奖。2.Gilbert Taylor的摄影功不可没,以视点镜头(无人称+上帝视角)、低机位与变焦推拉渲染惊悚氛围。3.骑三轮车儿童被[闪灵]致敬。4.照片显影死法、无处不在666及诡异意外(倒车玻璃断头)均为[死神来了]借鉴。5.击落避雷针插死。(8.5/10)
相当好,没有很恐怖,配乐充满宿命感和神圣感,很多场景太震撼了,晴空万里突然电闪雷鸣狂风大作,达到目的之后马上风和日丽,还有大晚上的翻栅栏在墓地刨坟…上帝在这个片子里是存在的吧,因为恶魔是存在的,可是上帝是袖手旁观,还是根本管不过来?还是说这一切都是注定的命运,不需要干涉。一对美满和谐事业蒸蒸日上的夫妻,一切都是那么完美,一切的完美都在暗中布好了陷阱。人类的末日无法逃避,话说人类可能挺喜欢这种末日题材的,又开始就有结束,世间万物莫不如此。
镜头语言无比精彩,而最有趣的是,影片中基督所代表正义的一方始终没有展现神力,这也构成了叙事上的反高潮。
1976年的片子,现在看起来已经不恐怖了,很多桥段现在都成了教科书了,学习一下也是必要的!
开山鼻祖《罗斯玛丽的婴儿》与《驱魔人》的混合体,但也有独到之处。故事中后段文本解释过多影响节奏这点很不唐纳,一查原来是编剧反对唐纳要延续老前辈暧昧不清的风格,执意要把「Damien即敌基督」讲得明明白白。虽然剧本说教味略重,但配合唐纳的花式杀戮与高斯密斯的经典配乐,倒是形成了一种介于惊吓与神秘间的独特氛围。另外比较有创意的一点是给敌基督降生设计了一个身处世界政治中心的家庭背景,这种点而不破的政治恐惧被后来者「生化危机」演绎到了极致。
凶兆作为载入史册的恐怖片自然有其当之无愧的原因,除了气氛和悬念之外,对于人物情感的刻画更是让角色的转变变得尤其可怕。伴随着Jerry Goldsmith的诡异配乐,格利高里·派克的罗马不再是当年的邂逅之地,而是噩梦开始的地方。
7.8 在那个最自由最开放的年代,人类已经到达从宗教社会到现代社会的转折点,撒旦降临这种题材的电影反映出人们在面对“宗教将死”这种大趋势时所产生的信仰焦虑
没想到竟然能在恐怖片中看到我最爱的格利高里·派克,而恐怖片老配角大卫·沃纳也有出演。宗教主题,反基督的恶魔之子,带着点《魔童村》、《驱魔人》的味道。惊悚镜头有钢管天降爆神父(这个镜头在后来的《山村老尸》中也有,不知道港片是否借鉴此片),玻璃削头记者。其实小男孩本身戏份不算多,更多的是用身边人去表现他的危险。气氛上越到后面越紧张,而小男孩不出我意料的存活了下去。
这部电影中的演员格里高利·派克的儿子在电影拍摄前夕自杀身亡,在赶往片场的路上,派克和编剧及制作人共同乘坐的飞机被闪电击中。爱尔兰共和军在拍摄过程中炸掉了剧组所在的旅馆,剧中所用的一只老虎杀死了驯兽师。在电影拍摄过程中,特效顾问理查德逊出了场车祸,他的助手在这场事故中死去...
对西方这些神神鬼鬼的完全缺乏认同感
凡只有聪明的可以算计兽的数目,因为这是人的数目,他的数目是666
看了很压抑,正不胜邪,魔高一丈。西方聊斋:厉鬼托生富豪家,阴云盖顶杀人连连。道士提醒,却疯言遭误解。后虽有抗争奈心软行拙,致夫妻横死。大使的窝囊是渊薮,初警不与妻沟通,保姆明显有异不解雇,妻祸不惊醒善加保护,证据确凿仙人指路还不立断。男主看不出是格利高。石棺打开是豺骨一幕最惊心。
慎用网络语言666,双十一你将得到撒旦大礼包一份,先到先得,切勿错失良机。
上帝派来的先知表达能力都这么差,神神叨叨的,怪不得没有说服力。他举出一些具体的例子不就让人信服了。看着真憋屈。
长评:http://movie.douban.com/review/1453397/
Rosemary's Baby by Polanski is better than this one in terms of the twist of the plot
(°_°)重温。所有神父最大的毛病就是不肯把话说明白。
太多后来被各种用烂的桥段使它在三十多年后的今天可能没有了新鲜感,但也足以说明了这个电影范本级的地位了。
厉害,惊悚做的很棒,照片中预示死状很经典,死神来了好像也用了。结尾也很赞,终于因为大使的妇人之仁一再犹豫断送了所有人的生命,包括他自己,而小恶魔也成功被总统领养,可谓地位更升一级!现在这么火的666原来在西方是凶兆啊
我发觉几乎所有宗教性的惊悚片都极其无聊。