荒野大镖客

经典的抄袭，毫无疑问，莱昂内伟大的西部片系列“镖客三部曲”首部荒野大镖客抄的就是日本武士电影《用心棒》，或者说是翻拍，不过却遭到黑泽明的控告，这也因此是本片在当时推迟公映，后来黑泽明胜诉，得到了全球票房的盈利的15％，值得玩味的是，黑泽明从《荒野大镖客》的盈利，超过了他的《用心棒》，不过无论怎样，这一部把日本武士片嫁接到美国西部片并不显得突兀，做出了非常好的本土化，也让人看不出来有文化的差异，其中孤独的牛仔在荒漠和配乐的衬托下，更多了一份凄凉。//之前在玩《荒野大镖客2》的时候越来越喜欢上了这个荒凉的西部，只是随着工业文明的发展，原来的荒芜西部也逐渐发展成文明之地，而这个“文明”的社会也越来越容不下这些“不法之徒”，原来那令人怀念的时光终究会成为历史，让人难忘。

首先这部电影的配乐无异是牛逼的，记忆点十足。

但是剧情就是人群中多看了你一眼，发现一个俏“寡妇”，然后伸张正义的故事。

我不喜欢的地方也很多，比如在河旁边抢劫的时候，连血都没有，枪伤都没有，只靠演员表演和观众意会。屋子着火了不会走后门，跳后窗吗，你们家后边是一堵墙吗，也真牛逼，小小的房子住了那么多人，那酒窖爆炸的时候他们怎么不走门。争先恐后的鱼贯而出，迎向敌人的子弹，还期待敌人不杀你，就连反抗都乱七八糟，一个都射不中，再着急也不至于吧。你们是怎么斗到现在的，在你门口铺炸弹这么容易我也不知道三兄弟为什么忍你到现在。

还有男主，两面坑，坑完还回敌人老巢，你是真傻逼，你还把敌人当真傻逼，结果人家没你想得那么傻逼。被敌人抓住了，这时候了还挺绅士你一拳，我一脚，绝不多打一下，连你的手也不废，还考虑俘虏的感受。知道雷蒙爱打心脏，万一一枪没中，打偏了或者恼羞成怒打你脑袋呢？你是傻逼，还把敌人也当傻逼，只不过这次如愿以偿。

不知道是那个年代的电影剧情设计的粗糙，还是现代人G点更难找了，或者是西部牛仔那个年代人们真的如此，都是野蛮的无脑莽夫时代。不过这部电影可以看到许多三十六计在里边，鱼目混珠，借尸还魂，隔岸观火，瞒天过海，借刀杀人，声东击西，太多了，就不一一列举了。

"The dead can be very useful sometimes." "When a man's got money in his pocket, he begins to appreciate peace. " "You mean the Mexican government on one side ... and maybe the Americans on the other side? Me, right smack in the middle ? Mm-mmm. Too dangerous. So long."

「The one artist that I think has been the most influential to me in my work has got to be Sergio Leone」

「That kind of half-assed operatic quality, the way the music takes over, and his way of directing via set-pieces a lot of the time. I think he is the filmmaker who you can spot the most in my work.」

「Every action director, every direct who as oppose to using music as a score as background music put it upfront, any director who actually cut his movie to the music […], any director who ever took genre pieces and actually had the grandiose idea to present them as larger than life – that started fifty years ago!」

「My favourite film of all time isThe Good, The Bad and The Ugly. Why? Because it’s the greatest achievement in the history of cinema」

「It really illustrated how to make an impact as a filmmaker. How to give your work a signature. I found myself completely fascinated, thinking: ‘That’s how you do it.’ It ended up creating an aesthetic in my mind.」

「For my money I think he is the greatest of all Italy’s filmmakers…I would go even as far as to say that he is the greatest combination of a complete film stylist, where he creates his own world, and storyteller. Those two are almost never married. To be as great a stylist as he is and create this operatic world, and to do this inside a genre, and to pay attention to the rules of the genre, while breaking the rules all the time — he is delivering you a wonderful western.」

「to be as great a stylist as he is and create this operatic world, and to do this inside a genre, and to pay attention to the rules of the genre, while breaking the rules all the time — he is delivering you a wonderful western.」