The documentary tells a story about how Raf Simons, a newcomer, finds the balance between "inheriting the spiritual core of Dior" and "continuing his self-style", how he runs in with the artisans in the atelier, and how he breaks through his previous style to complete a whole collection of Haute Couture in a short period of time.
Christian Dior and Raf Simons were born in different eras, but they are similar in the way that they both uphold the idea that "contemporary women needs more release and freedom rather than bondage in clothes." Raf inherits this idea and shows his ambition of not being constrained by minimalism. After his innumerable insistent and alterations, his frowned face finally breaks into a smile. He said: “Sublime! Sublime!”
At the end of the show, everyone called out his name. He is indeed an excellent leader of the show. However, I believe the success is achieved by all people’s joint efforts -- himself, his assistant, and the whole studio of tailors. The tailors were suspicious of the newcomer at first because he was quiet and stubborn, and it is challenging for them to meet the requirements from both the clients and the creative leader at the same time. Fortunately, they are finally run-in with him and find the balance between the clients and the designer. But I know all along that Raf was carrying the most weight and under a large pressure so that I almost cried when he did at the end.
I strongly respect the designer Raf Simons and the tailors in the atelier, the old people with their craftmanship spirits dedicated their whole life to the brand. They work in the atelier with their dreams, feelings, insistence towards fashion, and the exquisite craftsmanship. By seeing their earnest expressions when threading needles, as well as the way they tease each other to relieve stress under heavy pressure, I feel that this is an atelier with full of human kindness. Their hearts and lives are connected to fashion and Haute Couture. Therefore, I strongly hope that the people who buy Haute Couture are those who can really appreciate them as works of art, rather than people who just want to show their status.
Raf是如何产生创作构思及高订runway作品的形成,像是没清晰的呈现出来。看下来像是工作坊的老员工一起"拼凑"出秀款,拿给Raf审批…… 当然,创作过程不大会是那样的,设计师是runway的灵魂。
Dior先生以后,眼里Dior最璀璨的美景就是Raf的那几年了。
说写的字数少了 不让发。 就再写这些。
看完了电影赶快去恶补了一下Raf Simon来Dior后的第一场高定,果然和人们的评价一样,和海盗爷相比Raf的设计朴素了点。但是!!!当年排斥Raf的设计有多狠,现在再看到Maria阿姨做的东西,就有多“真香”!!有了Maria阿姨,现在人们对Raf的评价都从“朴素”变成了“简单却闷骚”了呢哈哈哈哈...
话回到这部电影,我是真的喜欢!整个电影好真实地展现了一场高定的诞生,从designer在画展找到idea,到一步一步选布料,把布料做好,拼接起来,再拆开,几乎重新开始再做一遍,每一步都真的真的精益求精。电影最后几幕,Raf看到整场秀的成功,感动得娇滴滴哭的时候太戳我的泪点了!Raf真的不容易,顶着压力经过海盗爷之手接过Dior,人们当时也都等着看Raf能不能扛得起这面大旗,啊哇哇他真的是小可怜...
我记得他在准备这场HC的时候讲了一句话,“The first runaway that I do at Dior, I want all the girls to be comfortable.” Raf还会考虑到模特穿着的舒适度,这还真的有暖到我,Raf小可爱太好了!!
一流的工匠精神,一流的职人态度。
#最后半小时。I came just for you. 我只为了看观众席中的那位小个子呀!阿姨生快❤
这就是时尚
LVMH当年为了推Raf Simons真是不遗余力,他们成功了,从此对Raf路人转粉
时尚是造梦的行业,但梦想的实现也需要一针一线的坚持。
时尚、时装,确实不是我的范畴,所以很难看懂这部纪录片,但是一场成功的事件背后各种艰辛倒是通用的,所以,就这样了。
当时没觉得,现在Maria Grazia Chiuri上马之后才发现Raf Dimons的简约风骚有多么高级
大开眼界,原来高级定制是从这些小作坊里出来的,而且顶尖的设计师和裁缝们竟然每天穿着白大褂
RAF真是内心温暖的小公举!!!!
Raf Simons和迪奥工坊的匠人们。
Raf 在show开场前压力硕大的落泪了,后来show结束后又哭了感觉这点感觉好萌。他的搭档可真是好啊,各种耐心好脾气。dior里的那个premiere在show结束还对他说“干脆把让我做你旁边办公吧”真是太可爱了。有这么群个性的员工,真是好啊~~~那一屋一屋的鲜花我真替预算捏汗啊~
感觉我对raf simon这种性格的人蛮容易动心。
那个西瓜皮没有得到预想的反应,设计师哭了。还有最后的经典款型,赞声一片。其实真正的那些主编,那些贵妇,未必能够理解设计师的。还有这个设计师面对大老板还是谨小慎微的,但也坚持着自己的一些底线和原则。真不容易啊,即使已经如此大牌了。
时尚可以简单到美即可,也可以复杂到一针一线,喜欢团队有条不紊的合作,喜欢一件复杂而庞大的事情一点点从每一个小细节做起的样子,更能感受到时尚圈无法压制的焦虑,这是一旦上场就无法后退的战争,美丽残酷。
那件灰色印花大衣真是格格不入...
4.5穿插著Christian dior先生和Raf simons在不同年代,卻是同一年紀同樣處境的內心獨白。他們的童年都有各種「flowers dream」,一個影響著設計理念的大花園,以及那一望無際的海。我喜歡這樣悶騷的設計師,他在遇到困難時很絕決,在設計時很堅持,在秀前天馬星空,在秀中哭得像個孩子,真實如Dior。
裁缝奶奶们好可爱!睿智细腻不失少女心,永持对美好对优雅的渴望,这才是forever 21的真谛。
布景太美,高定的布料和手工、剪裁的确一流。没有一个华丽的外表背后没有一个精神崩溃百感交集一针一线雕琢的背后。http://www.bilibili.com/video/av2918661/
woooolalala wooooooo
西萌可爱惹