无尽
缺集或无法播，更换其他线路.红牛
缺集或无法播，更换其他线路.剧照
剧情介绍
长篇影评
1 ) 好电影
从电影的角度讲，生活又恢复了平静。但是生活从来不会平静。它会一直奔腾不息，在欢乐和烦恼中继续下去。
另外要说的是Rebecca Hall，我真是她的大粉丝。此姐是我喜欢的类型。
2 ) 《请给予》：谁说给予一定是美德
《请给予》的女主人公凯特和丈夫共同经营者一家二手家具店，因为总是以高出收购价许多倍的价钱倒卖二手家具而内疚不已。她的这种内疚在他的丈夫艾利克斯看来，显得非常可笑。也许，有的人不需要它们，而有的人需要它们，仅此而已，与欺诈无关。
不知道凯特是不是基督徒，她的强烈的内疚感让她产生了强烈的赎罪心理，通过给予的方式。她为91岁高龄的安德拉过庆祝生日，而她所送的生日礼物——一套精美的化妆品——在当晚即被安德拉从垃圾管道中丢弃。她给那个曾经从他手上收购廉价家具的男人送去陶瓷罐，甚至在她还没有走出街区的时候，已经被摔得粉碎。
凯特的给予到底出了什么问题？她到底是想得太多还是想得太少，是多此一举还是没有把事情做到位？她是不应该给安德拉送化妆品还是应该当场给安德拉展示化妆品的妙用，是根本不应该送陶瓷罐还是应该在送去陶瓷罐的同时在上面插上鲜花？
也许，这个问题可以在她女儿艾比的身上可以得到答案。我始终相信，人在认识世界之前，首先得认识自己，智者是敢于直面自己内心的人。艾比只有15岁，撇开她的粗口，至少可以看到她是一位直面自己内心的人：她因为满脸长青春痘而头顶内裤出来见客，她因为想买条心爱的牛仔裤遭到拒绝而骂自己的母亲是婊子。
相比较艾比的简单直接，凯特面对内疚的赚钱手段的方式是迂回的。她内疚着，同时，继续以高价卖二手家具。她内疚着，同时，继续以别人不需要的方式给予，却不愿意花200美元给心爱的女儿买条牛仔裤，不愿意多关心下女儿的青春痘。
在安德拉的悼念仪式上，牧师念着她的生前事迹。当听说安德拉生前曾经做过义工、给盲童读过故事时，她的孙女玛丽唇语了一句非常触动人心的话，尽管这句话并没有打在字幕上：“Is she?”
内疚不应该是给予的理由，了解才是。于是，艾比终于买到了她心爱的牛仔裤，凯特埋的单，235美元。
3 ) [Film Review] Please Give (2010) 7.0/10
NYC, present day, Kate (Keener) and her husband Alex (Platt) run a modern furniture shop, and have bought the adjacent apartment of theirs, but can only have it after the current occupant, the cantankerous 91-year-old Andra (Guilbert) dies, considering her long-in-the-tooth age, the wait shouldn’t be too long.
Acquiring their accessions with a fairly low price from the next-of-kins of the recently deceased, and then flip them for a much higher price tag in their boutique shop, Kate has become growingly flustered by guilt germinated from their pecuniary profiteering, and to allay which, she is more than willing to dish out small cash (even a 20$ note when she is in the mood) to panhandlers in the neighborhood (sometimes it is embarrassingly backfires), and seeks out some voluntary works for those who are considerably less fortunate than her. But how does it work? scenester filmmaker Holofcener’s PLEASE GIVE, her fourth feature, wrestles with this question in a brutally honest manner that it is almost touching in the end, when Abby (Steele), Kate and Alex’s zit-afflicted teenage daughter can finally have a pair of jeans she craves for, all thanks to Kate’s lofty gesture of shelling out 200$.
While Kate’s problem is chiefly, her paternalistic attitude of rearing her daughter, and a bleeding heart disposition that undermines her philanthropic resolution (she cannot turn off the waterworks when facing with disabled children, and geriatric duty is left with a loose end), and Keener is a fathomless wellspring of naturalistic demeanor, pitch-perfect affect within a wide compass of emotion; Alex is otherwise simply lumped as a complacent husband who is not above to frolic with some low-hanging fruit, but Platt’s nigh-to-zero sex appeal fails to make the affair feel authentic.
On the other side of the spectrum, there are Mary (an acerbic Peet goes for the kill) and Rebecca (Hall, wondrously expressive in her more underplayed, emotive modus operandi), the granddaughters of Andra and her caretakers, both single and fancy-free, the former is a cold-heartedly blunt hypocrite (she will not admit her radiant tan is achieved from a sun-bed, but has no hesitation to be catty about everyone else’s peccadillos) and the latter is a self-effacing and warmhearted angel, but guess which one does Abby find as a cool role model to emulate? The sharp irony and unsentimental rumination are Holofcener’s claims to fame, and PLEASE GIVE is illuminating in alerting us to inspect our own contradictory behavior patterns, for that effect alone, Holofcener’s sensibility and intellect should be drawn onto a bigger scope to shine and dazzle.
referential entries: Holofcener’s ENOUGH SAID (2013, 6.9/10); Yaron Zilberman’s A LATE QUATET (2012, 6.7/10).
4 ) 来来来，一起来唱这首歌
I had No shoes, and i complained until i met a man who had no feet, That's really beat.
I had no feet, and i complained until i met a man who had no knees, that was his disease.
I had no knees, and i complained until i met a man, and you know what? he had no butt.
I had no butt, and i complanied about it all, and then i met a man, who had no balls.
I had no balls, and i complanied until i met a man, who had no guts. No balls, no butt, and now no guts.
I had no guts, and i complained until i met a man who had no heart, the most important part.
I had no heart, and i complained, i did not understand, and then i met a man who had no hands.
I had no hands, and i complained until i met a man who was a wreck, he had no neck.
I had no neck, and i complained until i met a man who had no chin, some folks lose some folks win(Ahha).
I had No chin, and i complanied until i met a man who had no nose, that really blows.
I had no nose, and i complained until i met a man who never cries, he had no eyes.
I had no eyes, and i complained until i met a man who felt no pain, he had no brain.
I had no brain, and i complained until i met a man who had no head, as good as dead.
I had no head, and i complained until i met a man who had no hair, there was nothing there.
I had no hair, and i complained until i met a man who hd no hat, picture that,(ahhh) not even a hat(ahhh).
I had no hat(had no hat?no hat?), and i complained until i met a man who had no sky, no reason why.
I had no sky(why?), and i complained until i met a man who had no stars, no Venus no Mars.
And not any stars!
I had no stars, and i complained until i met a man who had no God, that's rather odd.
I had no God, and i complained until i met a man who had no faith, Nothing just in case.
I had no faith, and i complained until i met a man who had no love, nothing to dream of.
I had no love, and i complained until i met a man who had no hope, at the end of rope.
I had no hope, and i complained until i met a man who had no luck, that really sucks.
I had no luck, and i complained that i had nothing left to lose,and then i met a man who had no shoes..(ahhh ahhh)
Lyrics by Paranoid Larry
5 ) 怎一个情字了得
凯瑟琳•基纳版的中产阶级妇女，带给人的不仅仅是亲切和真实，甚至令你偶感震撼。与偷腥丈夫的微妙关系，与“拜金女儿”的别样亲情，以及与街边乞丐的“和谐”相处，无不将这个迷茫在生活汪洋中的女人描摹地淋漓尽致。平凡人的生活本就充满了各种各样的不如意，而物质和情感上的给予则是串起人们融洽共生的最好的润滑剂。但“给予”却必须是发自内心。
6 ) 生活在继续
恋爱，夫妻，子女，出轨
平平淡淡
每个人生活中都会面对这些事情
一件美好的衣服
一定要留到某一天，某一认为值得纪念的隆重日子
可自己是否能等到那一天
生活就是一记闷拳，无论多漂亮的脸蛋也都得挨完了继续，要么继续笑，要么继续哭。
是同情心泛滥还是罪恶感过甚，都只为了寻觅内心的宁静。
很温情
可以
又是那种温馨的小东西，算不上沉闷，可以拿来放松。
非常棒 完全超越了当年好评一片的《鱿鱼和鲸》，还有就是导演的音乐品味非常出色
一直就觉得这个女导演比较无趣，而且对生活太过刻薄。而且在感情上，很多东西都没有过度和转折，完全依靠剧情的转换，所以很生硬
充滿了十足的紐約氛圍，但和「電子情書」編導諾拉艾芙蓉那種充滿浪漫情懷的手法不同，霍洛夫仙納不斷以犀利的對話和情節，呈現她觀察之下的紐約人。片中的每個角色都各自在自己的生命中給予或學會給予的真諦，其實給予就是一種獲得的方式，但獲得的並不是物質上的虛無，而是心靈中的滿足。
我觉得一般，剧情不是很给力
挺感人的
15岁时你开始沙沙比比在意自己穿什么以为谁会系的看你一眼，35岁你把钱给别人买衣服以为人家会感激，75岁你不舍得穿新衣服非要留到特殊场合以为还会有那一天，人这一生，so sad
平平淡淡，平凡的才是真实的。
生活就是如此，总是能从影片中找到一写共鸣
感觉很温暖
现代都市人的生活缩影，为了什么而活，我们要想明白。能挖掘得再深一层就更棒了
很有感触，就在身边人的故事，真实的很无奈
一部女性电影，情节流畅，演技也不错，但总感觉缺了点什么。
请给予生活还要继续
不太喜欢女导演的作品，拍出来的故事都太温了，看着入不了戏。
都市生活电影，剧情如果能更深一层次更好