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大象的眼泪（粤语版）电影免费高清在线观看全集。
故事始于一位90多岁的老人对自己在经济大萧条时期生活的追忆开始。23岁雅各衣（罗伯特·帕丁森 Robert Pattinson 饰）因为父母双亡，无力支付学费，被迫从名校肄业出逃。机缘巧合， 他在一个二流马戏团承担起了打杂和照顾动物的工作。马戏团的法宝是一只叫萝西的大象，这是一头非常有灵性的动物。可惜残暴的马戏总监奥古斯特（克里斯托弗·沃尔兹 Christoph Waltz 饰）从不知道爱惜动物。反倒他的妻子玛莲娜（瑞茜·威瑟斯彭 Reese Witherspoon 饰）充满母性地爱着马戏团的动物。因此，雅各衣在今后的日子里渐渐爱上了美丽的女人。在他们决定私奔之际被奥古斯特发现，却是萝西的惊人之举成全了他们的爱情。萝西的举动也成为了雅各保守了七十年的秘密。这个秘密到底是什么呢？热播电视剧最新电影创：战纪宋家皇朝归家之路僵尸叔叔扯蛋莎翁史集中营血泪拉莫 第一季在劫难逃葬礼再聚首月之花园面具人血煞炊事班的故事1黄金鱼为爱叛逆飞贼白菊花潜行赤裸狂奔傲慢与偏见 普通话版游客2014石器时代一路平安逆光飞翔繁星满天风信子女郎大地之母之情满丛林
故事始于一位90多岁的老人对自己在经济大萧条时期生活的追忆开始。23岁雅各衣（罗伯特·帕丁森 Robert Pattinson 饰）因为父母双亡，无力支付学费，被迫从名校肄业出逃。机缘巧合， 他在一个二流马戏团承担起了打杂和照顾动物的工作。马戏团的法宝是一只叫萝西的大象，这是一头非常有灵性的动物。可惜残暴的马戏总监奥古斯特（克里斯托弗·沃尔兹 Christoph Waltz 饰）从不知道爱惜动物。反倒他的妻子玛莲娜（瑞茜·威瑟斯彭 Reese Witherspoon 饰）充满母性地爱着马戏团的动物。因此，雅各衣在今后的日子里渐渐爱上了美丽的女人。在他们决定私奔之际被奥古斯特发现，却是萝西的惊人之举成全了他们的爱情。萝西的举动也成为了雅各保守了七十年的秘密。这个秘密到底是什么呢？热播电视剧最新电影创：战纪宋家皇朝归家之路僵尸叔叔扯蛋莎翁史集中营血泪拉莫 第一季在劫难逃葬礼再聚首月之花园面具人血煞炊事班的故事1黄金鱼为爱叛逆飞贼白菊花潜行赤裸狂奔傲慢与偏见 普通话版游客2014石器时代一路平安逆光飞翔繁星满天风信子女郎大地之母之情满丛林
长篇影评
1 ) Water for Elephants: Life is a Most Spectacular Show
Tony promised a surprise to me if I was able to apply for 20 new jobs within two days. While I failed to hit the goal at the end of the day, with the submission of only 15 new jobs, my sweet Mr. Hairball decided to deliver the surprise as he was convinced that I have been making a real effort in order to accomplish that difficult task.
The prize came out to be a beautiful movie called "Water for Elephants" at Scotiabank Theater, starred by Robert Pattinson, Reese Witherspoon and Christoph Waltz. It was not among the movies that could give you an easy and amusing time on a Sunday night, but belonged to the category of movies that would truly help you think and feel. The story was about a veterinary student, Jacob, abandoned his studies after his parents were killed and joined a traveling circus as their vet. There he met the girl of his dream, Marlena, who was also the wife of his boss August. They fell in love while taking care of the new star attraction of the circus: a smart baby elephant. With overwhelming love for each other and inconceivable courage toward better future, they were able to defeat the brutality of August and the cruelty of the times.
I think the movie has chosen a very good perspective to tell the story, for the reason that a circus is always a place full of ironies. It supposed to be a place that brings out the most amounts of true joys, but it was actually with tremendous hardship and tragedies underneath. It looks like a place full of intra-species love and communication, but it was actually dominated by wildness and manipulations. After all, a circus show was just another lucrative delusion of joys, a typical bloody business as many of the others in the historical period of Mid-20-century America. While Jacob, on the other hand, who served as a representative of the scarcely existed humanities during that era, has made every effort to struggle for true love and true cares. The reward for him was a girl of his dream and an immortal life story to be shared with his deeply touched audience.
I was very happy to find Tony loved the movie all the same, although I am pretty sure that he could have some unshared feelings about it from a different angle due to his previous experiences. For that, I would like to respect and protect. “What if there was a happy ending for our past tragedies?” This is always a sentimental and magical question to think about. The singularity of the chance to live and the unrepeatableness of time have left us with a limited extent of choices as well as a great legacy of many unfinished yet unable-to-be-finished stories. In my eyes, it never harms to let the stories and pities finished with the help of movies and imagine for the moment about other possibilities of our own lives.
And I have my unleashed thoughts too. “Where were you when I was seventeen?”When Marlena asked Jacob, helplessly yet hopefully, at that dancing party, I could clearly remember similar words coming out of my own mouth in the far-away past. The answer to that question was nothing about where were you exactly when I was seventeen; it was everything about what I am going to do with my already changed demand and feelings for life now. However, a big problem in the real world about that is: the true courage in striving for better future could be looking very similar to the ungrateful boldness to screw up a pretty good life. People need wisdom to tell the difference between the two, otherwise there could be a costly price to pay for simply being romantic. For example, in the movie I totally understood Jacob’s affections for Marlena and I completely caught Marlena’s internal unsatisfaction in her marriage with August, yet I pretty doubt about how would Marlena immediately feel after August’s death. August was her husband. He was the right person for her to meet when she was seventeen. He was a super evil for everyone else in the world except for her. As an audience, I feel delighted for Marlena and Jacob’s living happily ever after. But did August deserve such an applauded betrayal and demise as that?
Love is truly beautiful, but love is also selfish. There is hardly right-or-wrong answer in any love story. It is touchy as long as it is real. - Once again ironically, these words came from someone who was somehow hurt by the love story that I am enjoying right now. I am always trying to feel, what exactly did Jacob see in that 1939 picture of the Winnie Brothers’ Circus Show at the very beginning of the movie? Cherished memory of his passed wife, grateful appreciation toward his own life, mixed feelings for his long-dead friend and enemy August? Despite all the complexity and ambiguity in his feelings, interestingly, that feeling reaches the bottom of our hearts and became something that we are all yearning for at the end of the day. When Tony and I, hand-in-hand, came off as the last two persons who walked out of the cinema that night, I could not help thinking about one simple question: if there is ever any audience for our own life, would they enjoy the show as much as we just did?
Jessica
May 16 2011
The prize came out to be a beautiful movie called "Water for Elephants" at Scotiabank Theater, starred by Robert Pattinson, Reese Witherspoon and Christoph Waltz. It was not among the movies that could give you an easy and amusing time on a Sunday night, but belonged to the category of movies that would truly help you think and feel. The story was about a veterinary student, Jacob, abandoned his studies after his parents were killed and joined a traveling circus as their vet. There he met the girl of his dream, Marlena, who was also the wife of his boss August. They fell in love while taking care of the new star attraction of the circus: a smart baby elephant. With overwhelming love for each other and inconceivable courage toward better future, they were able to defeat the brutality of August and the cruelty of the times.
I think the movie has chosen a very good perspective to tell the story, for the reason that a circus is always a place full of ironies. It supposed to be a place that brings out the most amounts of true joys, but it was actually with tremendous hardship and tragedies underneath. It looks like a place full of intra-species love and communication, but it was actually dominated by wildness and manipulations. After all, a circus show was just another lucrative delusion of joys, a typical bloody business as many of the others in the historical period of Mid-20-century America. While Jacob, on the other hand, who served as a representative of the scarcely existed humanities during that era, has made every effort to struggle for true love and true cares. The reward for him was a girl of his dream and an immortal life story to be shared with his deeply touched audience.
I was very happy to find Tony loved the movie all the same, although I am pretty sure that he could have some unshared feelings about it from a different angle due to his previous experiences. For that, I would like to respect and protect. “What if there was a happy ending for our past tragedies?” This is always a sentimental and magical question to think about. The singularity of the chance to live and the unrepeatableness of time have left us with a limited extent of choices as well as a great legacy of many unfinished yet unable-to-be-finished stories. In my eyes, it never harms to let the stories and pities finished with the help of movies and imagine for the moment about other possibilities of our own lives.
And I have my unleashed thoughts too. “Where were you when I was seventeen?”When Marlena asked Jacob, helplessly yet hopefully, at that dancing party, I could clearly remember similar words coming out of my own mouth in the far-away past. The answer to that question was nothing about where were you exactly when I was seventeen; it was everything about what I am going to do with my already changed demand and feelings for life now. However, a big problem in the real world about that is: the true courage in striving for better future could be looking very similar to the ungrateful boldness to screw up a pretty good life. People need wisdom to tell the difference between the two, otherwise there could be a costly price to pay for simply being romantic. For example, in the movie I totally understood Jacob’s affections for Marlena and I completely caught Marlena’s internal unsatisfaction in her marriage with August, yet I pretty doubt about how would Marlena immediately feel after August’s death. August was her husband. He was the right person for her to meet when she was seventeen. He was a super evil for everyone else in the world except for her. As an audience, I feel delighted for Marlena and Jacob’s living happily ever after. But did August deserve such an applauded betrayal and demise as that?
Love is truly beautiful, but love is also selfish. There is hardly right-or-wrong answer in any love story. It is touchy as long as it is real. - Once again ironically, these words came from someone who was somehow hurt by the love story that I am enjoying right now. I am always trying to feel, what exactly did Jacob see in that 1939 picture of the Winnie Brothers’ Circus Show at the very beginning of the movie? Cherished memory of his passed wife, grateful appreciation toward his own life, mixed feelings for his long-dead friend and enemy August? Despite all the complexity and ambiguity in his feelings, interestingly, that feeling reaches the bottom of our hearts and became something that we are all yearning for at the end of the day. When Tony and I, hand-in-hand, came off as the last two persons who walked out of the cinema that night, I could not help thinking about one simple question: if there is ever any audience for our own life, would they enjoy the show as much as we just did?
Jessica
May 16 2011
2 ) 对动物要好
上野动物园饲养员对虎崽太粗暴了，致使小家伙露出恐惧的眼神，吃食也扔地上，看的我好心疼
正好昨天想起这个电影，其实老板立场也不一样，大象不好好干活大家没饭吃，虎崽不听话饲养员拿人家出气就不对了。给嫩牛五方上了火车，一枪打死马，睡了他老婆，最后让大象杀了老板，怎么看都觉得老板挺苦的。大象虽然可怜，但是前因后果看下去老板也有苦处!而且他确实爱着老婆。
男女主角颜值高!做事不厚道!
拿爱动物做壳子其实就是偷情杀夫
写好文章声援老板，然后写12345去投诉动物园去，我妈说我吃饱了，爱护老虎人人有责！
3 ) 小三无罪。主角最高。咆哮剧透。
电影作为一个整体来讲，摄影和剪辑上并没有什么不满意。
男主女主实在是雷的⋯⋯
一个cornel毕业的男一考毕业考试之前父母出车祸挂了
这位亲灰心丧气对生活失去意义所以毕业考也不考了，准备去城里找工作
（时逢美国depression）然后半路随便地上了一辆火车，发现是一个马戏团
于是觉得马戏团也挺好，抱着兽医未完的学位开始在马戏团里面整理粪便
自然就遇到了马戏团团长丰艳美丽的老婆，就是我们的女一。
最初让女一对男一改变印象的是，马戏团里面的主要表演马匹腿受伤了，马戏团长认为它还可以再跑个表演，男主以一句“he's suffering”的理由，拿枪把马给枪.毙了，由此给女一一个“你好善良哟亲”的印象。
枪阿！别人拿来当命根子的马阿！！一火车人的生机都靠它的马阿！！！就这么毙了阿！毙完以后还一副百莲花样子阿！
好吧你爱动物你是好兽医，后来马戏团没有主要表演，缺钱只能把成员扔下火车。
男主那个愤恨哟那个圣母哟怎么能不养你的成员哟??TMD是谁把赚钱的马给枪毙了阿！
马没了马戏团长就去买了个大象，为此欠了一屁股债。
团长让男主去训练大象，男主就走到大象面前“你走把亲”“亲你动动吧哟亲”。。。
马戏团长就拿起训练动物的棍子打了大象几下大象才走了，女一立马就拿愤怒地眼神看着她老公
它自己不走你劝劝他阿亲！多疏通疏通它就听话了阿亲！聊天是跟马戏团动物沟通的重要条件阿亲！不能打阿！给差评阿！
然后又热爱跟动物聊天又唯唯诺诺连喂动物都不会的男主，形象在女一心目中就高大起来了有木有！
两个人就搞到一起了阿，趁着马戏团长请客的时候去拿香槟的功夫就搞上了阿！
事后女主一副“当作神马都没有发生”的样子拍拍屁股就去跟马戏团长滚床单了阿！宝贝儿我不怪你打大象了我原谅你了阿！
后来又经过一段训练大象赚钱马戏团发展蒸蒸日上后，马戏团长终于发现自己老婆跟兽医有暧昧了阿
他就把兽医打了一顿阿，不行阿！兽医打不得阿！打了就得跑阿咱不负担这个责任继续待了！
跑之前还把女一带走了阿！带走得当晚还在马戏团长的势力范围，俩人不管不顾阿！就H了一晚上阿！
睡觉到天亮马戏团长就找到了阿，把男主又打了一顿把自己明媒正娶的老婆带走了阿！
男主的金手指就开了阿！主角光环就闪亮了阿！他徒步追上了火车又爬上去了没有人看到阿！！！！
最后在一场马戏团表演期间男主的基友们把动物们都放出来了阿！表演的和观看的都给踩了扑了阿！
但是这些都不重要阿，重要的是男主得把女主从她老公的魔掌里面救出来阿于是他就英勇地指使大象，把马戏团长瀑头了阿！
从此姧夫和淫妇过上了美好而幸福的生活哟！还生了五个孩子阿！！！！！
谁来告诉我这个三观是正确的世界是美好的只是我太瀑躁T口T！
男主女主实在是雷的⋯⋯
一个cornel毕业的男一考毕业考试之前父母出车祸挂了
这位亲灰心丧气对生活失去意义所以毕业考也不考了，准备去城里找工作
（时逢美国depression）然后半路随便地上了一辆火车，发现是一个马戏团
于是觉得马戏团也挺好，抱着兽医未完的学位开始在马戏团里面整理粪便
自然就遇到了马戏团团长丰艳美丽的老婆，就是我们的女一。
最初让女一对男一改变印象的是，马戏团里面的主要表演马匹腿受伤了，马戏团长认为它还可以再跑个表演，男主以一句“he's suffering”的理由，拿枪把马给枪.毙了，由此给女一一个“你好善良哟亲”的印象。
枪阿！别人拿来当命根子的马阿！！一火车人的生机都靠它的马阿！！！就这么毙了阿！毙完以后还一副百莲花样子阿！
好吧你爱动物你是好兽医，后来马戏团没有主要表演，缺钱只能把成员扔下火车。
男主那个愤恨哟那个圣母哟怎么能不养你的成员哟??TMD是谁把赚钱的马给枪毙了阿！
马没了马戏团长就去买了个大象，为此欠了一屁股债。
团长让男主去训练大象，男主就走到大象面前“你走把亲”“亲你动动吧哟亲”。。。
马戏团长就拿起训练动物的棍子打了大象几下大象才走了，女一立马就拿愤怒地眼神看着她老公
它自己不走你劝劝他阿亲！多疏通疏通它就听话了阿亲！聊天是跟马戏团动物沟通的重要条件阿亲！不能打阿！给差评阿！
然后又热爱跟动物聊天又唯唯诺诺连喂动物都不会的男主，形象在女一心目中就高大起来了有木有！
两个人就搞到一起了阿，趁着马戏团长请客的时候去拿香槟的功夫就搞上了阿！
事后女主一副“当作神马都没有发生”的样子拍拍屁股就去跟马戏团长滚床单了阿！宝贝儿我不怪你打大象了我原谅你了阿！
后来又经过一段训练大象赚钱马戏团发展蒸蒸日上后，马戏团长终于发现自己老婆跟兽医有暧昧了阿
他就把兽医打了一顿阿，不行阿！兽医打不得阿！打了就得跑阿咱不负担这个责任继续待了！
跑之前还把女一带走了阿！带走得当晚还在马戏团长的势力范围，俩人不管不顾阿！就H了一晚上阿！
睡觉到天亮马戏团长就找到了阿，把男主又打了一顿把自己明媒正娶的老婆带走了阿！
男主的金手指就开了阿！主角光环就闪亮了阿！他徒步追上了火车又爬上去了没有人看到阿！！！！
最后在一场马戏团表演期间男主的基友们把动物们都放出来了阿！表演的和观看的都给踩了扑了阿！
但是这些都不重要阿，重要的是男主得把女主从她老公的魔掌里面救出来阿于是他就英勇地指使大象，把马戏团长瀑头了阿！
从此姧夫和淫妇过上了美好而幸福的生活哟！还生了五个孩子阿！！！！！
谁来告诉我这个三观是正确的世界是美好的只是我太瀑躁T口T！
4 ) 善良自有万钧之力
看见央视报道可爱的象群，就联想到了一部关于大象题材的电影，叫《大象的眼泪》，象真的是很有灵性的动物。二十世纪福克斯的这部影片不算华丽，即便有影后的加盟，成片效果也似乎平淡了点。但是我喜欢电影表达的主题，善良自有万钧之力，敬仰和尊重每一个生命。之前我好像看到很多马戏团动物被虐待的新闻，这部电影也是反应的这种事情。一些不够格的马戏团，把动物当做赚钱的工具，虐待，让它们服从。动物都是有感情的，常年的鞭打和心理畸形，终会迎来爆发。在表演中发怒，踩死训练员，误伤观众，它们想逃离，拼了命的往外奔，有的被打死，有的被抓回，“残暴的欢愉终将以残暴结束”。祈祷，希望动物们都遇见好人。人都愿拥有自由的灵魂，马戏团，动物园里的一些动物也一样。希望时代越发展，越进步，动物越幸福，越和谐。
5 ) 大象的眼泪
距离看完小说到这部电影竟然过去两年时间了...不由得我不感慨一句 @#%&*# 啊！！
根据我尚存于记忆中的残念，改编后的电影和小说基本一致（就是没有突破的意思啦），好像比较符合我当初看书时脑子里所想的画面，也算是给了我一个比较完整的交待。
关于选角，比较满意，唯一想吐槽的就是 Reese...这年龄，这身段，唉，实在有点对不上号
根据我尚存于记忆中的残念，改编后的电影和小说基本一致（就是没有突破的意思啦），好像比较符合我当初看书时脑子里所想的画面，也算是给了我一个比较完整的交待。
关于选角，比较满意，唯一想吐槽的就是 Reese...这年龄，这身段，唉，实在有点对不上号
6 ) 导演真厉害
大象的眼泪是看完战马之后才看的第二个有关动物的电影。我一直以为自己把动物看成是有生命的东西，而和人类一样，如果你和他不亲的话没法跟她交流或产生感情，我不会像其他人似的人家抱自己的孩子的时候觉得可爱而去摸摸那个孩子，也不会像其他人似的看到流浪狗就把她带回家，我会觉得流浪这就是他的天命。
但是最近看这些电影，真的不得不佩服这些导演，是这些导演能够唤起我对动物的爱，或许在未来我不会因为觉得可爱而去养他们、宠他们，但是我以后看到他们就会尊重，我会认同有些动物骄傲的有些人没有资格把它像宠物似的对待。
就像《大象的眼泪》的大象的骄傲是天生的、并不是像有些人类似的当他拥有物质财富之前在他人面前什么都做什么都抛弃，当有一天他有了一定的财富之后突然意识到高贵这个问题，之后才以高贵来伪装自己。这就像是马戏团的总监奥古斯丁（August），虽然他是这些动物的主人，但当大象抬脚的时候他还是说了“请你抬腿”。
有些动物的骄傲、高贵就在这里，而这些东西是天生的，有些人有些物就不值得拥有这些，他们伪装的高贵面对真正的高贵的时候显得可笑而又卑鄙。。
但是最近看这些电影，真的不得不佩服这些导演，是这些导演能够唤起我对动物的爱，或许在未来我不会因为觉得可爱而去养他们、宠他们，但是我以后看到他们就会尊重，我会认同有些动物骄傲的有些人没有资格把它像宠物似的对待。
就像《大象的眼泪》的大象的骄傲是天生的、并不是像有些人类似的当他拥有物质财富之前在他人面前什么都做什么都抛弃，当有一天他有了一定的财富之后突然意识到高贵这个问题，之后才以高贵来伪装自己。这就像是马戏团的总监奥古斯丁（August），虽然他是这些动物的主人，但当大象抬脚的时候他还是说了“请你抬腿”。
有些动物的骄傲、高贵就在这里，而这些东西是天生的，有些人有些物就不值得拥有这些，他们伪装的高贵面对真正的高贵的时候显得可笑而又卑鄙。。
穷小子在机缘下上了火车，结识了老板的女人，并且相爱，最后决定私奔，在这之中受尽了老板的阻挠，电影最后以灾难收场，而且也是以老人的回忆引发出故事，这不就是火车版的铁达尼么= =
五方兄你还是演你的宇宙神作去吧，少在这装情圣
让我想起大鱼
嫩牛五方抢了大象的戏
中文译名真浪漫，“大象的眼泪”，动物真的也通人性啊，你爱它，它定会回报你。其实，我还挺喜欢罗伯特帕丁森的啊，就是演技实在木有长进。。。瑞希威瑟斯彭身材超正啊~影片前段节奏不要那么慢就好了
witherspoon演的真好. Rosie大象象真是通灵呀. 太喜欢了.马戏团主其实可以理解..是个脆弱的人类.还不见得有动物坚强的说.
除了选错主角 比预料之中的要好
嫩牛五方
不错的，这片其实
大象沦为龙套，卖萌机会太少。嫩牛五方作为小三成功上位，杀人夺妻还抢走爱宠，实在价值观扭曲，无怪乎还要去糟蹋我心爱的《漂亮朋友》。不过电影基调不错，配乐服装布景气氛营造都很好，勉强入我法眼给个三星，只是据说改编很差？只有读过原著的才知道了。
书好看，电影也不赖。
很喜欢的小说，知道拍成电影不能抱太大期望，但是总体感觉还很不错。当初看到男演员的时候心里一抽，看完我觉得他的表现还不赖。演员也是会成长的。
牛五方好丑，Reese是怎么当上影后的！！
相信这本大名鼎鼎的畅销书曾经感动很多人，在超强文本的支持下，这种改编作品再烂都还能看。这次改编四平八稳，画面精致，配乐煽情，艺术指导、服装和造型都很强大。可惜的是大象在这部电影里沦为了小三的龙套，而动物通人性可是原著里最打动人的要素，这也是这次改编沦为俗套的原因。 ★★★
只看到了一个男小三成功上位的故事
鉴于男猪脚，给三星了。完全跟书的感觉脱离。。。
Moulin Rouge + Notebook.
太常见的故事了，也没拍出什么波澜。演员也没发挥好，代入感一般。
很怀旧的片子~
搞破鞋还有理啦 操 剧情无新意到这片好像看过似的