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罗密欧与朱丽叶1968

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主演:莱昂纳德·怀廷,奥丽维娅·赫西,约翰·麦克埃尼,米罗·奥西,帕特·海伍德,罗伯特·斯蒂芬斯,麦克尔·约克,布鲁斯·罗宾逊

类型:电影地区:英国语言:英语年份:1968

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 剧照

罗密欧与朱丽叶1968 剧照 NO.1罗密欧与朱丽叶1968 剧照 NO.2罗密欧与朱丽叶1968 剧照 NO.3罗密欧与朱丽叶1968 剧照 NO.4罗密欧与朱丽叶1968 剧照 NO.5罗密欧与朱丽叶1968 剧照 NO.6罗密欧与朱丽叶1968 剧照 NO.13罗密欧与朱丽叶1968 剧照 NO.14罗密欧与朱丽叶1968 剧照 NO.15罗密欧与朱丽叶1968 剧照 NO.16罗密欧与朱丽叶1968 剧照 NO.17罗密欧与朱丽叶1968 剧照 NO.18罗密欧与朱丽叶1968 剧照 NO.19罗密欧与朱丽叶1968 剧照 NO.20

 剧情介绍

罗密欧与朱丽叶1968电影免费高清在线观看全集。
  莎士比亚的爱情悲剧《罗密欧与朱丽叶》自1595年问世以来已被搬上银幕12次,其中,1968年由弗兰克·杰弗瑞里导演的版本,自问世以来就一直被视为典范之作。  在十五世纪意大利的维罗纳城住有二家声望很高而彼此尖锐对立的望族。他们之间不断的发生血腥的争执。蒙达犹家族的罗密欧(莱昂纳德·怀廷 Leonard Whiting 饰)与卡普雷特家族的朱丽叶(奥丽维娅·赫西 Olivia Hussey 饰)。却一见钟情,私自结婚。朱丽叶的表兄挑衅罗密欧而被误杀,罗密欧因此被流放到城外。为了躲避家人逼婚,朱丽叶在神父的帮助下假死,当罗密欧知道后,赶了回来看到墓穴中熟睡的朱丽叶,绝望之余喝下毒药自杀,当醒来的朱丽叶看到爱人死后也绝望的用短剑刺入了自已的胸部殉情而死。热播电视剧最新电影玫瑰人生一句顶一万句速度与激情8烽火儿女情金克森姆独孤里桥之役女人领地第一季斋戒时节遇见你我的神使大人别再犹豫黑雪道 第一季结婚吧,笨蛋啊!小镇疑云1996逆境突袭英雄坦克手河谷镇第五季走过幸福风间公亲-教场0-盗日英雄传口是心非2009利比里亚:寻宝之旅双塔克天堂鸟2021红肥绿瘦爱情盲选:日本篇分久再合第二季

 长篇影评

 1 ) 窥视者

电影很不错,有一个疑问,为什么罗密欧给人一种窥视者形象的感觉,尤其是在舞会那段。求指教。

选角太契合我脑海中朱丽叶的形象了,结合了东西方的古典美。o(╥﹏╥)oo(╥﹏╥)oo(╥﹏╥)oo(╥﹏╥)oo(╥﹏╥)o

电影很不错,有一个疑问,为什么罗密欧给人一种窥视者形象的感觉,尤其是在舞会那段。求指教。

电影很不错,有一个疑问,为什么罗密欧给人一种窥视者形象的感觉,尤其是在舞会那段。求指教。

罗密欧与朱丽叶的相爱出于性的吸引和彼此的诗人气质(爱的忧伤的诗性)

 2 ) Love Never Ends

Love seems to be an eternal topic that has being discussed from the start of the human history. It is the most pure and lofty desire in people’s heart that cannot be hid. Many people when they fall in love have a pair of blind eyes that care about nothing but the loved one. Nothing can depart lovers even the most frightful and evil death. Romeo and Juliet are no exception among them. They fell in love with each other at the first sight and at last they chose death to show their faithful love to their lovers. Their lives end but their love is ever-lasting and their love story has being told from one generation to another throughout the world. I moved to tears when I was watching the film Romeo and Juliet directed by Franco Zeffirelli. There is a voice beating in my heart: love is eternal and love never ends.
The film Romeo and Juliet directed by Franco Zeffirelli in 1968 was regarded as the most classic one among all the film versions of the story. Franco Zeffirelli wanted to let the film in full compliance with the original and focus on the complete text of the faithful into the picture. So he made a surprising and daring decision to choose two teenagers whose age is close to the characters’ in the original to act for his film. The heroine was seventeen years old Olivia Hussey acting as Juliet and the hero was eighteen years old Leonard Whiting acting as Romeo. Although because of their age their acting skill might not as good as some famous experienced actors, their young and passionate spirits created the film real and natural and welcomed by a great amount of audience. They were just like the star-crossed lovers walking out of the original book, and our audience couldn’t help being deeply immersed in their young and pure love story, laughing for them and crying for them.
How beautiful the scene when they first met in the dancing party.
When Romeo first saw Juliet, he was stunned by her breathtaking beauty. I could see the surprise and crush in his eyes which in every minute were following Juliet dancing steps. And then he smiled, as if he was waking from the stun and feeling glad to himself that he found a beautiful angel. “Did my heart love till now? forswear it, sight! For I ne'er saw true beauty till this night.” And Juliet, holding a little douting and curious, was watching the unfamiliar man with her clean and bright eyes who wore the mask staring at her. A love story began at this moment quietly. And later, the song What is the Youth was singing. Romeo was at one side and Juliet was at the opposite side. All the people were immersed in the sing except Romeo and Juliet. They were looking for each other in the crowd which formed the circle around the singing man. So there forms an interesting contrast between the audience and the lovers. And Romeo easily found her. Oh ,his eyes could not leave her for a moment! And almost at the same time she found him too. They were looking at each other, and getting closer and closer. When Romeo took Juliet’s hand impulsively in a sudden, the moment was so impressive and romantic. Only the actor and actress in their age could express the little nervousness and impulse when they first felt love so well. What a delicate moment!How pure and young!
Another scene was also classic by the two young actors’ well performance.
After the dancing party, Juliet stood by the balcony and said: “Oh Romeo, Romeo! Why are you called Romeo? Deny your father and refuse your name, or if you will not, swear to be my love and I’ll no longer be a Capulet.” Her face was so honest and her voice was so sincere. And Romeo----such a frank and smart guy, jumped out of the trees suddenly and gave his promise directly: “I take you at your word. Only call me love and I’ll be baptized again. From now on, I’ll never be Romeo!” Juliet was so surprised! Her facial expression was acted so well which described a little lovely girl’s startle really penetrating. She was just about telling her inner secrets to the quiet night without knowing someone was hearing her confession! How could she let her secrets be leaked out? At that moment Juliet was like a little frightened deer, pure, clean and lovely. In order to calm down his love, Romeo climbed up the balcony quickly like a money!Oh ,how precisely he interpreted the crazy,the passion for his love!
Love was the theme of the film. Olivia Hussey and Leonard Whiting interpreted the young passionate love with their heart and won the Most Promising Newcomer - Male and Most Promising Newcomer - Female in the 1969 Golden Globe respectively.
Except for two young actor’s nice performance, the film owned another distinguished feature----its music.
The soundtrack of the film was created by Nino Rota known as the Godfather of Italian music. Focus on the theme of the film---- love, he composed the famous song What is the Youth for the film and it became the classic melody and went deeply in audience’s heart. “What is a youth? Impetuous fire, What is a maid? Ice and desire”. It was first sang in Romeo and Juliet’s first meet, saying their youth, desire and strong emotion. “Death will come soon to hush us along. Sweeter than honey and bitter as gall. Love is a past time and never will pall.” The song seemed indicate the tragedy of their love story in the end, but “love never will pall”, which was just the belief ----love is eternal and love never ends that the film wanted to convey. And when I heard the song, I thought about another poem When You Are Old composed by William Butler Yeats. “How many loved your moments of glad grace, and loved your beauty with love false or true. But one man loved the pilgrim soul in you, and loved the sorrows of your changing face”. What a love! When a rose fade, youth is gone, I am still following you with my eternal love for you.
     In the end of the film, the two fortune’s fools chose death to show their faithful love. Even they were not accepted by others or by the wild society, they still followed love and never minded ending their lives. Nothing could divide them. Yes, they died. But they died together with love. The eternal love shone on them, and was telling the truth to all: love never ends!

 3 ) 和1996小李子版对比,高下立现

看了小李子的那个版本和这个,基本上是这个看一截那个看一截。小李子的那个槽点太多不想说,单是有电话的时代,让邮差送急件这个点就很奇怪(没送到还挂门上一个纸条,直接把信件塞门缝里更符合正常思维吧!而且是任何时代的送信者的思维!),更别提小李子被全市追杀,然后他带个人质进入放尸体的教堂,之后的半个小时这个喝药那个自杀,然后哭哭啼啼告别啥的,门口的警察就死活不进来了……你们之前可是连直升机都派出来了啊!

莎翁的剧本毕竟是16世纪的作品,相当于中国明朝,中国拍牡丹亭儿也很少把所有唱词和五十五出全都演了,多少都会有所改编,而1968年的这个《罗密欧与朱丽叶》,改编的巧妙程度令人赞叹。

1、相遇的女性视角改编

罗密欧是看朱丽叶好看,对她一见钟情,然后就爱啊什么的,但这个情绪变化不太符合女性心理。而原著也没说朱丽叶到底看上罗密欧啥了(从原著的角度理解,就是看上他长得帅,无他)。现在改的简直妙,符合一个怀春少女一见钟情的全部过程。

先是蒙面少年深情地看着你,引发好奇、好感、想接近等想法,然后是两个人在偌大的舞厅互相找,之后伴随着优美浪漫的音乐,一个声音好听的骚年拉住你的手,说些基督徒祈祷般的赞美。

拉住手显示亲昵,祈祷般的赞美证明其人不轻佻。然后呢,你一扭头,他面罩揭开,你发现他和你年龄相仿,长得特别帅。

这一轮类似杨过的“揭面杀”过后,朱丽叶为情郎寻死觅活,也就有了感情基础。

2、时间差bug的不着痕迹修复

原著送信者莫名其妙碰到瘟疫,导致信没送出去这个设计,在现代人看来委实可疑。跟麦克白“不会被娘胎里出来的人杀死”,结果杀死他的人是剖腹产的一样,我觉得有点滑稽。

这个版本的处理非常不着痕迹,而且真正体现了命运弄人。

那就是,神父没法将朱丽叶没死的秘密,透漏给一个送信者,也没法阻止朱丽叶死了的谎言,泄露给另一个送信者。

所以前者注定步伐缓慢,后者注定快马加鞭。前者带来的是好消息,后者带来的是坏消息——坏消息总是传得更快

于是罗密欧最先接到的那封信,注定只能是坏消息,也就是:朱丽叶死了。

于是时间差bug就这么被不着痕迹地修复了。

3、选角

原著的朱丽叶是14岁,而电影里面的这个小姑娘,真的有14岁少女的活泼与美丽。比如月下相会时她的不受礼法束缚的天然真情,奔向爱人,眼中含光。

罗密欧的角色涉世不深,莽撞单纯。月下相会那一幕,朱丽叶暂时回屋,他在树杈上开心地跳了好几下,很有这个年纪年轻人的感觉,而且他吻向朱丽叶的时候,排去深情外,热血沸腾的成分倒是更多。

另外这俩人儿临走前还啪了一场,真好,可惜没有细节描写。

太美了……在我的想象中,罗密欧是爬梯子上来的?

 4 ) No ordinary love story…

Franco Zeffirelli是横跨戏剧+电影界的奇才, 这一部更是他的巅峰之作;
该片的音乐和剧本改写都是无敌的; 特别是在Capulet家的舞会上,主题曲What is a Youth跟剧情完美地结合令人叫绝;
史无前例的启用teenage担当莎士比亚戏剧的主角
Every scene is bravo !

 5 ) 68年的罗密欧是我的白马王子

大约是我上小学的时候,CCTV电影频道播放了小段经典电影《殉情记》片段,一个俊美的少年翩然出现在画面中,娓娓吟唱着哪首What is a Youth,仅仅几分钟的唯美片段,就把我的眼睛 我的耳朵 我的心 完完全全征服了。

 6 ) 意亂情迷

今天早晨很早就從睡夢中驚醒,像是前一天晚上喝了點酒。帶入感不是把自己想成主角在和女主搞來搞去。是有時候我覺得自己就是個serving man Peter,不合邏輯的時候就當自己是旁白。 聽各種專家說,兩個青澀的小演員的演技要比阿姨和叔叔差,但是我第一眼看到那張著名的海報,就覺得羅密歐與朱麗葉就應該是這個樣子的,兩個一開口念白,已經定義了兩個戲劇人物。 我就是被兩個人給迷了的。我沒覺得很肉麻,也沒覺得很誇張。坦白說,我正是那種把wherefore art thou錯當成where are you很多年的白痴,但是我就是會被舞會和陽台那場戲轟炸的死去活來。 我本來不怎麼喜歡一擊必殺,一劍封喉,一見鍾情這種帶一的很唬人的詞彙,反而更喜歡,秒殺,爆頭,瞬間肉體精神消滅這種又含蓄又有威力的詞。每次看羅密歐與朱麗葉,第一個讓我打起精神的就是相遇的情景。不管是劇本,是96年的大魚缸,還是68年的驚鴻一瞥。羅密歐摘掉面具…该被秒殺了吧(Did my heart love till now? forswear it, sight! For I ne'er saw true beauty till this night. )? 在陽台戲裡,兩個人言語和精神上的交流是那麼活潑可愛,看完我都不知道自己在傻笑: 朱麗葉怕自己的愛給的太輕浮,又不想叫羅密歐用月亮宣誓,初戀女孩的任性恰如其分,讓人愛不釋手。 羅密歐問她:O, wilt thou leave me so unsatisfied? 朱麗葉的惶恐分明再說What satisfaction canst thou have tonight? 接著羅密歐很委屈的說The exchange of thy love's faithful vow for mine. 她釋然了。I gave thee mine before thou didst request it! 最後(parting is such sweet sorrow.)兩個人從畫面中移到屏幕對角的構圖,再加上Nino Rota比片子還著名的音樂,我就遺憾地認定,他們必須得死,只有死亡才能留住這種美。 有個朋友跟我說,莎士比亞可不像是那種相信一見鍾情的人,他大概只是在憤世嫉俗的諷刺青春期的性衝動吧?我没有急著反駁。因為我很清楚地記得我當年是怎麼想的:只見我翹著二兩腿,在椅子上晃來晃去,很油腔滑調,自以為自己很聰明地說:咳!太狗血,太二,太淫蕩了。他媽的就是N(N<5)天的見面,打架,上床,自殺的鬧劇而已。 或許你也有類似的印象:你的某個音樂或者語文老師在介紹這個故事,平靜地說道:這個時候呢,羅密歐愛上了朱麗葉,朱麗葉也愛上了羅密歐。突然之間整個教室一篇噓聲,男生在不屑,女生在羞澀。 是我們以為他們傻,不懂事,還是我們自己心裡有股已經憋著出騷味的憧憬和嚮往,是性壓抑,也是愛壓抑。 我不是想批評那些男生表白以後說學習和分數更重要的女生(or vice versa, which is not very likely),我只是想宣告,我相信愛情。而且我相信,如果你有好奇心想要看羅密歐與朱麗葉,或者你的英文老師佈置給你一篇essay的時候,你認認真真把劇本讀了,而不是去看Sparknotes,那麼你也一定相信愛情,至少你希望有美好的愛情可以相信。 我很愛護地聆聽了兩人之間的每一句情話,我甚至不知道用哪個詞語來跟愛護搭,腦子裡只有delicate來修飾。地球人都知道,羅密歐和朱麗葉要死。這對莎翁說star-crossed lovers的故事已經講了一千遍,一萬遍,也不止。我第一次聽完這個故事,覺得他們死的很荒唐,第二次覺得死的真有創意,第三次,第四次,我還是沒有聽逆,他們的死卻一次比一次悲傷起來,最後,我已經不敢再看那一幕。 羅密歐死前問,朱麗葉,怎麼就這麼好看呢?耳邊是回響的是What is a youth。 我們是否問過自己,青春是什麼啊?青春是什麼? 我到這裡,不能自已。

 短评

不满18岁的奥丽维娅·赫西真是漂亮,罗密欧的莱昂纳德·怀廷也是个干净的小伙。漂亮的演员能满足你对名作的假想。很多外景,表演和对白却是舞台式的,很有意思

3分钟前
  • 桃桃林林
  • 推荐

除了配乐并无亮点

4分钟前
  • 欢乐分裂
  • 还行

小说还原度很高,演员仿佛为角色而生,他们是最适合的罗密欧与朱丽叶。

9分钟前
  • 半城风月
  • 推荐

我在想,男主角如果换成莱昂那多,卧槽,肯定完美了。

14分钟前
  • 小艺
  • 推荐

也许是太喜欢这个真正爱到死的故事,几个版本甚至情色篇都爱看,最忠于原著古典的此片更是了。鲜嫩超美的两主角诠释了罗塔经典洗脑配乐what is a youth,爱情的危险激情美好纯真在莎翁巨大戏剧性的设计里不过如此。奶妈神父的抢戏配角,获奖的摄影服装,虽有舞台剧念对白的方式但泽菲雷里的改编完全接受,资料馆。

16分钟前
  • seabisuit
  • 力荐

剧情忠于原著,配乐也甚合我心

18分钟前
  • fox的summer
  • 推荐

啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊我能不能給10顆星啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊殺了我吧!!!!!!!!!!!!!!!!!!!!!!!!!!!!

23分钟前
  • 躲猫猫社社长
  • 力荐

当两家世仇展开决斗时,从粗暴的弄刀舞剑,变成了真实而致命的交战;还有小两口第一次邂逅的那场华丽舞会,也呈现出意大利乡间丰富的色彩、与奢华的气势。

24分钟前
  • 高冷的鸡蛋仔
  • 力荐

“玫瑰会盛放,紧接着凋谢…最美的少女亦然。” 这才是最理想的改编,复古文艺又浪漫,无论俊俏的男女主演,还是台词配乐置景摄影,都是关于罗密欧与朱丽叶的最完美演绎。

27分钟前
  • 影志
  • 力荐

色调没有小李版的艳丽,但看着更舒适。演绎也更古典。莎士比亚的台词说出来也没小李版那么出戏。歌太好听了。and,主角也更漂亮。

31分钟前
  • 艾晨
  • 力荐

他是偷渡到大银幕上正大光明放映著的殉情记,罗蜜欧李奥纳怀汀。他瞬秒便逝的床上裸臀,痴纯美貌,在我们立即学会了哼唱的主题曲中衣再现身。我们的卧底者,伪变代言人。

36分钟前
  • 眠去
  • 力荐

(男女主角出镜的场景)画面美、音乐美、台词美、人美、各种美

41分钟前
  • 荔枝超人
  • 力荐

如果莎士比亚“罗密欧与朱丽叶”的故事会被拍出来,应该就是这样了,拍摄时17岁的莱昂纳德·怀廷和16岁的奥丽维娅·赫西,影史上最美的一对儿,不由得让人感慨时光。Nino Rota为电影谱写的主题歌曲《What Is A Youth》唯美诗意的只有天上才会有,这版经典改编完美的很难超越了。★★★★

43分钟前
  • 亵渎电影
  • 推荐

为了躲避家人逼婚,朱丽叶在神父的帮助下假死,当罗密欧知道后,赶了回来看到墓穴中熟睡的朱丽叶,绝望之余喝下毒药自杀,当醒来的朱丽叶看到爱人死后也绝望的用短剑刺入了自已的胸部殉情而死

46分钟前
  • (๑⁼̴̀д⁼̴́๑)
  • 推荐

听说这个版本被人评为是《Romeo and Juliet》最经典的版本,而看到上映时间刚好和今天都是10.19就想下载看看,结果状况不断:先是找到720p的高清版结果百度云在线看没字幕……土豆网的所谓高清版画质太差……下了分成两部分的DiSSOLVE版本结果CD2却找不到匹配的字幕……为了看“你”,我真花不少时间!

47分钟前
  • Panda的影音
  • 推荐

主要闻得见知识分子味,现代味(能看出来喜好帕索里尼;莎翁和帕翁都搞了个面上的)——乳沟,裸体,脖子要使劲吮,念台词的时候要随意,好像什么都没发生过一样。白瞎了这好些脸。莎翁不是轻易改动的。要先找到其呼吸。三六年有呼吸,浓重。帕索里尼,戏剧性极强的,台词和动作。要是没有戏剧性了,迷失在自己的那出戏剧里。(同性恋么……大概能看得出。意大利男人对于同性的审美是有境界的,或许来自文艺复兴。不过都是少年,对少年兴趣不大)。自己编的台词数量庞大且全失神韵,莎翁本来的台词也被他的形式切得支离破碎。戏剧语言之随意性,极难。也就是说虚构之人的虚构语言,极难。莎翁是有人念的长诗,硬要转换需以此为思路,但其诗是很诗的诗,所以无法转换。

50分钟前
  • NVHZ
  • 较差

最好的romeo&juliet版本

53分钟前
  • 晚晚
  • 力荐

大家演得好用力

54分钟前
  • nihaoma
  • 推荐

#蓝光#赫西好几个神态像极了应采灵,她和阿佳妮、苏菲玛索都是属于亚洲脸型的东方美人。朱丽叶不肯嫁给伯爵时父亲狂躁地逼婚台词“你要么听我的话去结婚,要么就去上吊乞讨流浪,我的财产也没你的份。”简直跟中国家长如出一辙。古代女人大多身不由己,还是现代职业女性比较好,经济独立真的很重要。

57分钟前
  • 游牧人·芳汀
  • 还行

从情感上非常喜欢这个版本,莎翁的词像诗一样几乎涵盖了其他的所有优点。不能否认,舞台化的表演和调度会在一定程度上使电影失去影像感,但是这大概是莎翁剧在荧幕上最好的表达方式了吧?相比小李版,后现代的表达和古典的台词结合得不伦不类,真觉得是失败的实验。男女主选的好,年轻好看还懂演。

59分钟前
  • 这饺子皮真贵
  • 力荐